When Patriarch Nikon made a bold move to harmonize Russian religious art with the broader Byzantine tradition, he could hardly have predicted that the consequences of his decision would go down in history as the Schism. Old Believers, referred to in Russian as staroobryadtsy, rejected those changes and preferred to preserve their centuries-old traditions of Orthodox worship and iconography, even at the expense of persecution and exile. Today, Old Believer icons represent a living testimony to religious commitment and loyalty to a single visual tradition that has survived centuries of persecution.
Old Believer icons can often be identified by several notable visual details. First, Jesus Christ and the saints depicted in these icons bless with two fingers instead of three. Second, the eight-pointed cross is used instead of the four-pointed Latin form, with evangelists frequently appearing as their symbolic creatures. Third, these icons reject the Italian-style fryazh manner of iconography, with archaic prototypes and flattened space serving as core visual elements. Finally, it is important to note the traditional use of egg tempera on gessoed wooden panels, a technique that has remained central to Russian icon painting for centuries.
The scarcity of Old Believer art has nothing to do with marketing. It is the result of centuries of targeted persecution, directed at the Old Believers and later extending to religious traditions across Russia during the Soviet period. Tsarist troops burned the village of Vetka and its icon-painting workshops twice, in 1735 and 1764, in an effort to suppress Old Believer traditions. The 1905 Edict of Toleration provided Old Believers with only brief relief, followed by a new period of suppression and destruction after the Revolution of 1917. That is why finding Old Believer religious art in good condition can be extremely difficult in the 21st century.
Fortunately, there have always been appreciators of Old Believer religious artifacts who managed to preserve remnants of this tradition for future generations. Today, the largest available collection is housed at the Vetka Museum of Old Believers and Belarusian Traditions, created around the personal holdings of Fyodor Shklyarov. The Nevyansk Icon Museum in Yekaterinburg is another important holder of Old Believer art; it opened in 1999 under the auspices of Yevgeny Roizman. Its collection covers works by Ural Old Believer icon painters, created between 1734 and 1919.
Beyond Russia, the Oleg Kushnirskiy collection, which can be studied through an icon catalog available on the Russian Icon Collection website, is a notable example of private collecting efforts that help preserve and bring greater recognition to the icon painting tradition in the contemporary art world.
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