Graffiti and street art have traditionally relied on a distinct form of artist identification. Creatives used tags as their names, with repeated, recognizable imagery often substituting for formal attribution. However, problems with this form of identification arose...

Ask curators where art belongs, and the answer will often be philosophical. That’s why experimentation with spaces for art exhibitions has been ongoing for many decades. Explore some interesting examples of non-traditional exhibition spaces,...

The provocative and still appealing nature of conceptual art lies partly in the ambiguity of ownership and authorship. Let’s look at Sol LeWitt’s Wall Drawings as an example. A wall drawing can arrive at a museum in...

For decades, the global art marketplace has been concentrated in established cultural centers such as New York, London, and Hong Kong. Today, however, wealthy Gulf countries are reshaping the map of the international art world, with new...

When Patriarch Nikon made a bold move to harmonize Russian religious art with the broader Byzantine tradition, he could hardly have predicted that the consequences of his decision would go down in history as...